Frame Proscenium: A Decade of Artistic Innovation and Cinematic Excellence Founded in Scotland in 2010 by visionary filmmakers Edgar Wittek and David Borbás, Frame Proscenium—originally known as Gas2—began as a modest independent production company with grand ambitions. From the outset, the duo was committed to creating groundbreaking films and art that pushed technical boundaries and challenged conventional storytelling. Their early works quickly garnered international attention, signaling the arrival of a formidable new force in independent cinema. Their debut film, “Postcard from Scotland,” was selected for the prestigious Göteborg Film Festival, immediately placing Frame Proscenium on the global map. Building on this momentum, they produced “Two Gallants” and “Power of Dogs.” The latter won at the Orthodox Film Festival, solidifying their reputation for crafting deeply resonant and impactful narratives. Their short film “Betrayal” continued this trajectory, earning an official selection at the Cannes Short Film Festival—one of the most esteemed platforms for emerging filmmakers. Another standout project, “Night and Day,” was selected for the Berlinale Directors’ Lodge, a testament to the film’s unique directorial vision and aesthetic. What truly set Frame Proscenium apart during these formative years was their relentless pursuit of technical innovation. For the production of “Disco Shoot,” Scotland’s first DSLR feature film, the company developed a new workflow and focus-pulling system. This pioneering approach not only showcased their ingenuity but also paved the way for other filmmakers to explore DSLR filmmaking. Their efforts culminated in winning a prestigious Scottish BAFTA, a landmark achievement that underscored their ability to blend artistry with cutting-edge technology. By 2013, seeking new horizons and a broader platform for their work, Frame Proscenium relocated its headquarters to London under the leadership of Edgar Wittek. Meanwhile, David Borbás expanded his creative reach into European cinema, further diversifying the company’s portfolio. In London, Frame Proscenium embraced a dual focus: producing high-concept independent art while simultaneously developing commercial projects to support their broader artistic ambitions. In 2014, they made a significant impact on the London art scene with “Panopticon,” a large-scale group exhibition and art performance at Rich Mix Shoreditch—a venue renowned for its vibrant cultural programming. “Panopticon” seamlessly blended art installation with live performance, immersing audiences in a thought-provoking experience that challenged perceptions of reality and surveillance. This bold entry into visual art and performance established Frame Proscenium as an innovative force beyond traditional film production. Continuing to push the boundaries of interdisciplinary art, Frame Proscenium collaborated on “Garden Dance” in 2015, an ambitious visual installation created for Roehampton Dance School’s Footsteps Festival. The project demonstrated their ability to integrate motion, visual art, and technology, creating an immersive experience that captivated festival attendees. That same year, the company was awarded a research-development scholarship by Konstnärsnämnden, the Swedish Artist Authority—a recognition of their trailblazing work in visual arts and cinema, enabling them to explore new creative avenues. The year 2016 marked a pinnacle of critical acclaim. Their feature film “Wartburg” was awarded the Golden Egg for Best Film at the Küstendorf International Film and Music Festival, a significant accomplishment in the global film scene. The award was personally presented by the esteemed Serbian filmmaker Emir Kusturica, highlighting the film’s artistic merit and impact. Simultaneously, their film “Sightseeing” became a festival favorite, receiving numerous accolades across Europe. It won the Award for Best Directing at the XXIII Hungarian National Student Film Showcase and garnered a Jury Special Mention at the SlowFilm Festival in Hungary. At the Ca’Foscari International Short Film Festival in Venice, “Sightseeing” received the Pateh Sabbaly Award, presented by the mayor of Venice. Further recognition came at the Etiuda & Anima International Film Festival in Krakow, where the film was honored with a Jury Special Mention by FICC (The Association of European Film Clubs). Additionally, “Wartburg” won Best Documentary at the Pazmany Film Festival, showcasing Frame Proscenium’s strength in both narrative and documentary filmmaking. In recognition of their growing influence, Frame Proscenium was awarded a Creative Writing Scholarship by FILMJUS, The Hungarian Association of Filmmakers’ Rights, in 2016. This scholarship supported the development of original screenplays and storytelling projects, allowing them to explore new narrative structures and experimental forms. In 2017, Frame Proscenium expanded their artistic collaborations, working with Temporary Autonomous Art (TAA) on “Tiny TAA,” a unique multisensory installation titled “Garden of the Future.” This project integrated cutting-edge visual technology with immersive storytelling, offering audiences an experiential journey through a speculative future world. That same year, “Sightseeing” was awarded Best Youth Film at the Timisoara Refugee Art Festival, a powerful recognition of its social relevance and artistic vision. Additionally, the company secured $40,000 in production funding from MTVA (the Hungarian Media Authority) to produce the short film “The Bus Driver,” which would later be nominated for Best Live Action Short by The Hungarian Academy of Film in 2020. From 2021 onwards, Frame Proscenium began a close collaboration with McGee Film, the production company of renowned fashion photographer and filmmaker Tony McGee, and his son Max McGee, an acclaimed director, actor, and writer. This partnership has led to the production of high-end commercial work for major brands, as well as music videos and short films that blend McGee’s iconic visual style with Frame Proscenium’s narrative-driven approach. The collaboration has allowed Frame Proscenium to reach new audiences while maintaining their commitment to artistic innovation. Throughout their journey, Frame Proscenium has remained steadfast in pushing the boundaries of film and visual art. From pioneering technical achievements in DSLR filmmaking to producing award-winning narrative and documentary films, the company consistently demonstrates a bold vision and an unwavering dedication to creative excellence. Whether through collaborations with leading artists and filmmakers or through innovative installations and performances, Frame Proscenium continues to be a trailblazer in the world of cinema and beyond, seamlessly blending art and commerce in new and exciting ways.