Independent film studio · Est. 2010

FRAME
PROSCENIUM

Direction, cinematography and post-production.
For artists, brands and culture.

Studio reel / 00112 sec · silent

Frame Proscenium / since 2010

A film can be watched.
A world can stay.

Edinburgh · Kraków12 frames · Select to enlargeSelected work

In the frame

Stills

Light, gesture and atmosphere from selected projects.

Frame Proscenium / selected films

Selected
work

Six films. One point of view. Watch them full-screen, then enter the archive.

Selected editing work / 2024

Crystal Waters performing in Dance Dance DanceCrystal Waters / Music videoDance
Dance
Dance
Edited by Edgar Wittek
Film archive 13 titles

Ways of working

A visual partner from the first thought to the final frame.

Costumed performer holding a skull in an ornate theatre
From the portfolioFrame Proscenium
01

Film &
culture

Fiction, documentary and artist-led moving image.

02

Commercial
worlds

Films that give brands and institutions a world, not just a message.

03

Music &
fashion

Rhythm, performance, gesture and the charge of an image.

Sunlight reaching through blue water in New Year / Urban Retreat
New Year / Urban RetreatCommercial film

The studio

One idea.
Every frame.

Frame Proscenium is an independent film studio founded in Scotland in 2010 by Edgar Wittek and David Borbás.

We work across independent cinema, campaigns, music and performance. Direction, cinematography and post-production are connected from the start.

We build small, precise teams around each project. From the first conversation to the final edit, the people shaping the image stay close to the idea.

How we work

A point of view.
In every decision.

Direction, cinematography and editing shape how a film feels. We approach them through one question: what should this film make us see, hear and feel?

Black-and-white architectural composition from Tesla
Tesla / Commercial filmCinematography · Editing · Edgar Wittek
  1. 01 /

    Find the centre.

    A story, a brief, a piece of music. The first conversation gives the film its direction.

  2. 02 /

    Shape the image.

    Light, framing, movement and location become a language for the idea.

  3. 03 /

    Stay with the moment.

    On set, attention belongs to the performance, the space and what happens between them.

  4. 04 /

    Find the rhythm.

    Editing brings image and sound into a form that holds the film together.

In practice: the Frame Proscenium identity
The material

A body of films, stills and collaborations across different disciplines.

The decision

Lead with a wall of twelve frames and six films. Keep the archive accessible, credits precise and the next conversation one click away.

The same body of work, presented with a clearer hierarchy. A change in presentation; audience results have not yet been measured.

Selected cinematography & editing / 2025

Short film · Drama / Thriller

The Last
Train Home

Cinematography · Tony McGee & Edgar Wittek
Editing · Edgar Wittek

People

Team

Edgar Wittek

Edgar Wittek

Cinematographer
Producer · Director

David Borbás

David Borbás

Producer
Director · Operator

Firas Khnaisser

Firas Khnaisser

Writer · Director
Producer

Contact

What are we
making next?

A film, a campaign, a music video or an idea still taking shape. Tell us what you have in mind, who it is for and when.

Opens a draft in your email app for you to review and send.

Frame Proscenium / now playing

McGee Films / official trailer / 2025

The Last Train Home

Cinematography by Tony McGee & Edgar Wittek · Edited by Edgar Wittek

Open on YouTube ↗