Independent
film
Fiction, documentary and artist-led moving image.
Independent film · commercial · fashion
FRAME
PROSCENIUM
Moving images with a distinct point of view.
View selected films ↘Showreel / 00112 sec · silent
Frame Proscenium / since 2010
Film is not content.
It is attention, held long enough
to become an image.
Areas of practice
A studio practice across cinema, commissioned work and performance.
Independent
Commissioned
work
Distinct visual worlds for brands, institutions and collaborators.
Music &
fashion
Rhythm, performance, gesture and the charge of an image.
Process gallery
Stills
Original images from the Wix portfolio, restored and sharpened for this site.
Frame Proscenium / selected films
Selected
work
Six films, selected as a first encounter. Watch them full-screen and then enter the archive.
Selected editorial credit / 2024
Dance
DanceEdited by Edgar Wittek ↗
Film archive 13 titles
The studio
One continuous process.
Frame Proscenium is a film and moving-image studio founded in Scotland in 2010 by Edgar Wittek and David Borbás.
We work between independent cinema, commissioned film, music video and live performance. Directing, cinematography, production and post-production remain part of one continuous process.
Every project begins with attention: to gesture, light, space, rhythm and the emotional weight of an image. We build small, precise teams around the work and keep decisions close from the first conversation to the final frame.
Our films and installations have travelled through festivals, galleries and cultural spaces across Europe. We collaborate with artists, performers, cultural institutions and commercial partners who value a distinct point of view.
For commissions, co-productions and artistic collaborations, begin a conversation.
Case study / Frame Proscenium
From portfolio
to presence.
The redesign turned an accumulated portfolio into an editorial experience: a site that leads through the pace, scale and craft of moving image.
An expanding archive where every project competed for the same attention.
A composed sequence: an opening image, a focused selection and an archive that stays available without taking over.
- 01
Edit the first impression.
Moving image establishes the tone; a deliberate first screen gives the work a pace before the visitor enters the programme.
- 02
Curate, don’t discard.
Six films lead the encounter. The wider body of work remains present as a clearly named archive, rather than a wall of competing players.
- 03
Make the practice legible.
Studio context, restored stills and precise credits give collaborators a clear picture of the craft and the people behind it.
- 04
Release it to perform.
Responsive media, search-ready page structure and a direct enquiry route make the presentation practical as well as cinematic.
People
Team
Edgar Wittek
Cinematographer
Producer · Director
David Borbás
Producer
Director · Operator
Firas Khnaisser
Writer · Director
Producer
Contact
Let’s make
something precise.
For commissions, co-productions and artistic collaborations.
booking@frameproscenium.comFinal screening / official trailer / 2025
Short film · Drama / ThrillerThe Last
The Last
Train Home
Cinematography · Tony McGee & Edgar Wittek
Editing · Edgar Wittek